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MARC Record from marc_gtu

Record ID marc_gtu/KLF_IA_Export_5-5-22.mrc:99456903:9201
Source marc_gtu
Download Link /show-records/marc_gtu/KLF_IA_Export_5-5-22.mrc:99456903:9201?format=raw

LEADER: 09201ccm 22013571i 4500
001 892238
003 OCoLC
005 20180124125004.0
008 850404m19689999enkmua bhi n lat
010 $a71212855
020 $a9780852495445 (v. 2)
020 $a0852495447
020 $a9780852497661 (v. 3)
020 $a0852497660
020 $a9780852498460 (v. 4)
020 $a0852498462
020 $a9780852498842 (v. 5)
020 $a0852498845
020 $a9780852498934 (v. 6)
020 $a0852498934
020 $a9780852499016 (v. 7)
020 $a0852499019
020 $a9780852499337 (v. 8)
020 $a0852499337
020 $a9780852499511 (v. 9)
020 $a0852499515
024 2 $aM220219313
024 2 $aM220221255
024 2 $aM220221613
024 2 $aM220222016
024 2 $a9790220222016
024 2 $a9790220223495
024 2 $a9790220225109
024 2 $a9790220222016 (hd.bd.) :
024 2 $aM220222016 (hd.bd.)
028 22 $aS. & B. 5558
035 $a(OCoLC)892238$z(OCoLC)5923184$z(OCoLC)19996369$z(OCoLC)53895121$z(OCoLC)80750177$z(OCoLC)184821248$z(OCoLC)587015704$z(OCoLC)974550259$z(OCoLC)995153234$z(OCoLC)1000017112$z(OCoLC)1000328785
040 $aDLC$beng$erda$cDLC$dNYP$dMUQ$dSYB$dOHX$dYDXCP$dUMC$dOCLCG$dEQO$dCPL$dUBY$dOL$$dUMC$dOCLCF$dOCLCA$dDNU$dOCLCQ$dOCL$dIAT$dUZ0$dTJC$dHMU$dOCLCA$dYDX$dCDS$dCSJ$dUtOrBLW
041 0 $dlat$geng
045 $as-s-
047 $ahy$ams$amo$apt
048 $aca01
048 $aca02
048 $aca03
048 $aca04
049 $aGTXA
090 $aM2.3$bE12 1964
245 00 $aFifteenth-century liturgical music.
246 3 $a15th-century liturgical music.
264 1 $aLondon :$bPublished for the British Academy :$bStainer and Bell,$c[1968-<2017>]
264 4 $c©1968-<©2017>
300 $a1 score (volumes <1-9>) :$bfacsimiles ;$c26-33 cm.
336 $anotated music$bntm$2rdacontent.
337 $aunmediated$bn$2rdamedia.
338 $avolume$bnc$2rdacarrier.
382 01 $achorus$n1$e1$2lcmpt.
382 01 $achorus$n2$e2$2lcmpt.
382 01 $achorus$n3$e3$2lcmpt.
382 01 $achorus$n4$e4$2lcmpt.
490 1 $aEarly English church music,$x0424-0359 ;$v8, 9, 22, 34, 42, 47, 49, 52, 55, 58.
505 0 $a1. (Early English church music. v. 8). Antiphons and music for Holy Week and Easter / transcribed and edited by Andrew Hughes. Antiphons. Mater ora filium / Anon. ; Sancta Maria virgo / Anon. ; Sancta Maria virgo / Anon. ; Ave regina coelorum, ave domina / Leonel Power ; Beata mater / John Dunstable ; Miles Christi / Anon. ; Regina coeli laetare / Anon. ; Ave regina coelorum, mater regis / Anon. ; Trope to the preceding antiphon: Funde virgo / Anon. ; Ave regina coelorum, mater regis / Anon. ; Nesciens mater / Anon. ; Sancta Maria virgo / Anon. ; Gaude terra / Anon. ; Nescience mater / Anon. ; Speciosa facta es / Anon. ; Tota pulchra es / Johnn Plummer ; Sancta Maria virgo / Wyvell ; Anna mater matris / John Plummer ; Gaude pia Magdalena / John Benet -- Music for Holy Week, Easter and other occasions. En rex venit / Anon. ; Gloria laus / Anon. ; Gloria laus / Anon. ; Collegerunt pontifaces V Unus autem / Anon. ; Missa ferialis. Kyrie , Sanctus , Agnus / Anon. ; Passio secundum Lucam / Anon. ; O redemptor sume carmen / Anon. ; Inventor rutili / Anon. ; Rex sanctorum / Anon. ; Alleluya. V Confitemini Domino / Anon. ; Salve festa dies / Anon. ; Sedit angels V Crucifixum in carne / Anon. ; Alleluya V Laudate pueri / Anon. ; Christus resurgens V Dicant nunc Judaei / Anon. ; Hymn: Aeterne rex altissime / Anon. ; Alleluya V Salve virgo / Anon. ; Respond: Audivi vocem V Media nocte / Anon. ; Respond: Audivi vocem V Media nocte / Anon. ; Motet: Cantemus Domino / Anon. ; Passio secundum Matthaeum (incomplete) / Anon. -- Textless and incomplete pieces. Textless / Anon. ; Textless / Anon. ; Votive anitphon: Ave regina coelorum, ave domina / Anon. ; (Regina coeli laetare, alle)luya: Quia quem / Anon. ; ...ius vicia inundes / Anon. -- Manuscript sources and condordances -- Bibliography -- Abbreviations -- Critical commentary -- Appendix of plainsong melodies and isorhythmic tenors.
505 8 $a2. (Early English church music. v. 22). Four anonymous masses / transcribed and edited by Margaret Bent. Facsimiles. Mass Fuit homo missus ; Mass Quem malignus spiritus ; Mass Salve sancta parens ; Mass Veterem hominem -- Sources -- Abbreviations - Critical commentary (with introduction to each Mass) -- Appendix I. Plainsong cantus firmi -- Appendix II. Fragmentary Kyrie of the Mass Salve sancta parens.
505 8 $a3. (Early English church music. v. 34). The Brussels masses / transcribed and edited by Gareth Curtis. Walter Frye: Mass Nobilis et pulcara -- Walter Frye: Mass Summe trinitati -- Walter Frye: Mass Flos regalis -- Richard Cox: Mass Sine nomine -- John Plummer. Mass Sine nomine -- Sources -- Abbreviations--Critical commentary -- Appendix. Plainsong cantus firmi.
505 8 $a4. (Early English church music. v. 42). Early masses and mass-pairs / transcribed and edited by Gareth Curtis.
505 8 $a5. (Early English church music. v. 47). Settings of the Sanctus and Agnus dei / transcribed and edited by Peter Wright.
505 8 $a6. (Early English church music. v. 49). Mass settings from the Lucca choirbook / transcribed and edited by Reinhard Strohm.
505 8 $a7. (Early English church music. v. 52). The York Masses.
505 8 $a8. (Early English church music. v. 55). Settings of the Gloria and Credo / transcribed and edited by Peter Wright.
505 8 $a9. (Early English church music. v. 58). Mass music by Bedyngham and his contemporaries / transcribed by Timothy Symons ; edited by Gareth Curtis and David Fallows.
546 $aLatin words; all commentary, etc., in English.
546 $bStaff notation.
546 $bMensural notation.
650 0 $aAgnus Dei (Music)$y15th century$vScores.
650 0 $aAntiphons (Music)$y15th century$vScores.
650 0 $aEaster music$zEngland$y15th century$vScores.
650 0 $aHoly Week music$zEngland$y15th century$vScores.
650 0 $aHymns$zEngland$y15th century$vScores.
650 0 $aPart songs, Sacred$zEngland$y15th century$vScores.
650 0 $aMasses$zEngland$y15th century$vScores.
650 0 $aMasses, Unaccompanied$y15th century$vScores.
650 0 $aMotets$zEngland$y15th century$vScores.
650 0 $aSanctus (Music)$y15th century$vScores.
650 0 $aChoruses (Equal voices), Unaccompanied$y15th century$vScores.
650 0 $aChoruses (Mixed voices, 2 parts), Unaccompanied$y15th century$vScores.
650 0 $aChoruses (Mixed voices, 3 parts), Unaccompanied$y15th century$vScores.
650 0 $aChoruses (Mixed voices, 4 parts), Unaccompanied$y15th century$vScores.
700 1 $aBent, Margaret,$eeditor.
700 1 $aCurtis, Gareth,$eeditor.
700 1 $aDumitrescu, Theodor,$d1977-$eeditor.
700 1 $aFallows, David,$eeditor.
700 1 $aHughes, Andrew,$d1937-2013,$eeditor.
700 1 $aStrohm, Reinhard,$eeditor.
700 1 $aWright, Peter,$d1953-$eeditor.
700 12 $iContainer of (work):$aBenet, John,$dactive 1420-1450.$tGaude pia Magdalena.
700 12 $iContainer of (work):$aDunstable, John,$dapproximately 1390-1453.$tBeata mater.
700 12 $iContainer of (work):$aPlummer, John,$d-approximately 1484.$tAnna mater matris Christi.
700 12 $iContainer of (work):$aPlummer, John,$d-approximately 1484.$tTota pulchra es.
700 12 $iContainer of (work):$aPower, Leonel,$d-1445.$tAve regina coelorum,$mvoices (4)
700 12 $iContainer of (work):$aWyvell,$dactive 1400.$tSancta Maria virgo.
740 02 $aMass Fuit homo missus.
740 02 $aMass Quem malignus spiritus.
740 02 $aMass Salve sancta parens.
740 02 $aMass Veterem hominem.
776 08 $iOnline version:$tFifteenth-century liturgical music.$dLondon : Published for the British Academy : Stainer and Bell, ©1968-<c2010>$w(OCoLC)671571865.
830 0 $aEarly English church music ;$v8.$tFifteenth-century liturgical music. $pAntiphons and music for Holy Week and Easter.
830 0 $aEarly English church music ;$v22.$tFifteenth-century liturgical music. $pFour anonymous masses.
830 0 $aEarly English church music ;$v34.$tFifteenth-century liturgical music. $pThe Brussels Masses.
830 0 $aEarly English church music ;$v42.$tFifteenth-century liturgical music. $pEarly Masses and Mass-Pairs.
830 0 $aEarly English church music ;$v47.$tFifteen-century liturgical music.$pSettings of the Sanctus and Agnus dei.
830 0 $aEarly English church music ;$v52.$tFifteen century Liturgical music$tYork masses.
830 0 $aEarly English church music ;$v55.$tFifteen century Liturgical music.$tSettings of the Gloria and Credo.
830 0 $aEarly English church music ;$v58.$tFifteen century Liturgical music.$tBedyngham and his contemporaries.
907 $a.b10065593$b05-12-20$c03-26-92
998 $a(9)gtu$a(9)gx$b11-13-17$cm$dc $e-$flat$genk$h0
948 $fjk
945 $cv.8$g1$i32400007807534$j0$lgtu2 $o-$p$0.00$q $r $sj $t0$u0$v0$w0$x0$y.i17070338$z11-13-17